![]() ![]() ![]() Part of the power of this new keyboard lies in its embrace of a technology called MIDI Polyphonic Expression (MPE). And I was able to immediately feel my way through pitch bends on the keys. The Osmose feels solid and satisfying to play. None of these changes feel awkward or poorly thought out, nor do they negatively impact the feel of the key bed. Importantly though, all of this feels natural. ![]() So a light brush on the top of the key triggers a chime while pressing down fully brings up a choir. And as you can see in the demo video, you can use different levels of pressure to control not only the response of a single instrument but also trigger multiple sounds based on how you play. Press it further and you'll engage the aftertouch. There's an initial zone where you control the volume of the note. Just the lightest touch can trigger a note. And those 24 voices can be divided up as well into layered or split modes - meaning that either a key can trigger two sounds simultaneously or the two halves of the keyboard can play different sounds.Įach key essentially has two stages of vertical movement. It can track up to 24 notes simultaneously across its 49 full-size keys. It might not seem like a huge deal at first, but if you're coming to the keyboard from another instrument, moving your hands to create vibrato feels natural. This allows you to add vibrato to a note simply by shaking a key back and forth. Essentially, the keyboard allows for the control of each individual note in three dimensions - meaning you can not only push down on the key but also move it from side to side. It is, just like the Touché, a little hard to explain in words. It's built around a proprietary technology called Augmented Keyboard Action (AKA). The heart and soul of the Osmose is its keyboard. While it looks rather unassuming and perhaps even a tad boring, it hides some powerful features inside. What's exciting though is that Expressive E took what it learned from the Touché and built its first standalone synthesizer: Osmose. It's hard to explain, so maybe just watch this demo. They're essentially expression pedals with four degrees of motion that you control with your hand. But its Touché and Touché SE are unique in the way they allow musicians to control and sculpt their sound. It's a small French startup with just a couple of niche musical devices under its belt. Touché SE is sensitive to pressure, movement on its tactile surface and the lateral resistance can simply be adjusted.Expressive E isn't quite the household name that, say, Korg is. This tool has been designed by a team of young French people who patented a mechanism capable of reacting to the slightest contact of your fingers with movements spread over several axes simultaneously. ![]() In summary, Touché SE will allow you to discover, rediscover or bring to life in a way you never suspected of with your virtual synths. This controller goes far beyond anything you could do with a simple mod-wheel. With this instrument, you can create complex sounds, with fantastic evolutions just by touching, tapping and pressing the polycarbonate surface of the Touché SE. It allows you to control several plug-ins parameters at once, with intuitive gestures that produce hyper reactive sound changes. This model is a more affordable version of the famous Touché with a wooden touch surface. Touché SE is the USB controller you need to give expression and musicality t your virtual instruments. ![]()
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